I think that, for example, museums did not buy my work until, say, MoMA in 2005 bought 33 Questions per Minute, a generative piece that I made for the Havana Biennial five years earlier. And then the moment that MoMA acquired my work, all of a sudden it's almost like you had a stamp, and other museums felt that it was safe to acquire my work.
Rafael Lozano-Hemmer, 2020s On-Chain Art: Erick Calderon, Lauren Lee McCarthy
The first major artwork you see when you walk into MoMA, the headquarters for art in the world, is a 16-foot by 16-foot screen showing a blockchain artwork.
Robert Alice, London Digital Art Guide: Writers' Roundtable