Editorials

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Peter Bauman
•
March 23, 2026
•
128

Sougwen Chung on Aggregated Abandon

Sougwen Chung’s solo exhibition RECURSIONS 遞迴 (2026) combines robotics, AI, painting and performance in a protocolic stack. The artist and researcher exploring symbiosis between robotics and living systems spoke to Peter Bauman (Monk Antony) about the work. They discuss data as self-portrait and what it means to co-author with a machine.
Interview
Event
Sougwen Chung on Aggregated Abandon
Wendi Yan & Karyn Nakamura
•
March 16, 2026
•
127

Wendi Yan & Karyn Nakamura on the Artifice of Knowledge

Wendi Yan and Karyn Nakamura are artists, technologists—and friends. In the following conversation, a glimpse into their everyday “joint psychoanalysis,” Yan and Nakamura discuss the origins of their practices, which circle the same questions from different angles. They cover the inseparability of image- and knowledge-making, knowledge as an artificial construction, and the tools that make them feel like gods.
Interview
Evergreen
Wendi Yan & Karyn Nakamura on the Artifice of Knowledge
Peter Bauman
•
February 23, 2026
•
124

DX Research Group on the Agent Arena

DX Research Group's Poof, LookingForOwls, Patti, Alaska, Stripes, Gremplin, and Octal spoke with Peter Bauman (Monk Antony). They cover the group's experiments with AI agents and crypto, particularly DX Terminal and the new DX Terminal Pro. They discuss how the projects relate to their ideas on the systems economy, plus why AI needs crypto and world-building with complex systems.
Interview
Evergreen
DX Research Group on the Agent Arena
Peter Bauman
•
January 28, 2026
•
121

Lu Yang on Art as the Perfect Cloak

Lu Yang’s DOKU! DOKU! DOKU!: samsara.exe at Amant in New York, on view through February 15, lands alongside MoMI’s presentation of Lu Yang: The Great Adventure of Material World (2019–20), on view through March 22, 2026. The artist speaks with Peter Bauman (Monk Antony) about solitude as an absolute truth, art as the perfect interdisciplinary cloak, and the illusory boundary between body, avatar, dream and “reality.”
Interview
Evergreen
Lu Yang on Art as the Perfect Cloak
Peter Bauman
•
January 12, 2026
•
118

Ian Cheng on Composing with Systems

Simulation and world-building artist Ian Cheng speaks with Peter Bauman (Monk Antony) about change as a lived texture, worlding through systems and protocols, and how AI companions and “memory” are reshaping attention and daily life.
Interview
Evergreen
Ian Cheng on Composing with Systems
Peter Bauman
•
December 8, 2025
•
112

Beeple on Robot Dogs as Canvas

Mike Winkelmann (Beeple) speaks with Peter Bauman (Monk Antony) about his robot-dog “living sculpture,” Regular Animals, at Art Basel Miami Beach’s Zero 10. They also cover digital art’s institutionalization, Beeple’s Charleston studio as a public lab, and why AI feels like an alien poised to transform society.
Interview
Event
Beeple on Robot Dogs as Canvas
Previous

Sougwen Chung on Aggregated Abandon

Sougwen Chung’s solo exhibition RECURSIONS 遞迴 (2026) combines robotics, AI, painting and performance in a protocolic stack. The artist and researcher exploring symbiosis between robotics and living systems spoke to Peter Bauman (Monk Antony) about the work. They discuss data as self-portrait and what it means to co-author with a machine.
Interview
Event
Sougwen Chung on Aggregated Abandon

Wendi Yan & Karyn Nakamura on the Artifice of Knowledge

Wendi Yan and Karyn Nakamura are artists, technologists—and friends. In the following conversation, a glimpse into their everyday “joint psychoanalysis,” Yan and Nakamura discuss the origins of their practices, which circle the same questions from different angles. They cover the inseparability of image- and knowledge-making, knowledge as an artificial construction, and the tools that make them feel like gods.
Interview
Evergreen
Wendi Yan & Karyn Nakamura on the Artifice of Knowledge

DX Research Group on the Agent Arena

DX Research Group's Poof, LookingForOwls, Patti, Alaska, Stripes, Gremplin, and Octal spoke with Peter Bauman (Monk Antony). They cover the group's experiments with AI agents and crypto, particularly DX Terminal and the new DX Terminal Pro. They discuss how the projects relate to their ideas on the systems economy, plus why AI needs crypto and world-building with complex systems.
Interview
Evergreen
DX Research Group on the Agent Arena

Lu Yang on Art as the Perfect Cloak

Lu Yang’s DOKU! DOKU! DOKU!: samsara.exe at Amant in New York, on view through February 15, lands alongside MoMI’s presentation of Lu Yang: The Great Adventure of Material World (2019–20), on view through March 22, 2026. The artist speaks with Peter Bauman (Monk Antony) about solitude as an absolute truth, art as the perfect interdisciplinary cloak, and the illusory boundary between body, avatar, dream and “reality.”
Interview
Evergreen
Lu Yang on Art as the Perfect Cloak

Ian Cheng on Composing with Systems

Simulation and world-building artist Ian Cheng speaks with Peter Bauman (Monk Antony) about change as a lived texture, worlding through systems and protocols, and how AI companions and “memory” are reshaping attention and daily life.
Interview
Evergreen
Ian Cheng on Composing with Systems

Beeple on Robot Dogs as Canvas

Mike Winkelmann (Beeple) speaks with Peter Bauman (Monk Antony) about his robot-dog “living sculpture,” Regular Animals, at Art Basel Miami Beach’s Zero 10. They also cover digital art’s institutionalization, Beeple’s Charleston studio as a public lab, and why AI feels like an alien poised to transform society.
Interview
Event
Beeple on Robot Dogs as Canvas
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Brian Droitcour
•
February 2, 2026
122

Seams and Synthesis: Schizocollage and AI Aesthetics

Droitcour argues contemporary art with NFTs operates in the productive tension between two opposing aesthetics: schizocollage (which foregrounds visible seams and difference) and generative AI (which synthesizes difference into coherent wholes). The most compelling work—Mons and Little Swag World by Supermetal Bosch, as well as Ugly Bitches and Little Darlings by Ann Hirsch and Maya Man—uses this tension to surface and critique how desire, identity and collectibility function in culture.
Article
Essay
Evergreen
Seams and Synthesis: Schizocollage and AI Aesthetics