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Person
Max Bense
Max Bense, person in Le Random's Editorials: 10 editorials, 6 podcast episodes, 23 timeline moments.
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Mentioned in
125
Gottfried Jäger on a New Kind of Being
March 2, 2026
97
Hans Ulrich Obrist on Exhibitions as Living Organisms
September 1, 2025
76
Mario Klingemann & A.I.C.C.A. on Alien Perspective
March 10, 2025
70
Demystifying Generative Autonomy
December 12, 2024
63
Val Ravaglia on Electric Dreams
October 17, 2024
52
Frieder Nake on “Machinic” Miracles
July 10, 2024
37
Demystifying Generative Aesthetics
March 21, 2024
25
Tyler Hobbs on Algorithmic Aesthetics
December 12, 2023
8
Kate Vass on Rethinking Art Collecting
August 9, 2023
5
Demystifying Generative Art
July 20, 2023
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Podcast mentions
12
Interview with Frieder Nake
July 16, 2024
6
Timeline Ch 5—Artist-Programmer Era (1970s) with Joan Truckenbrod, Hans Dehlinger & Anika Meier
January 14, 2024
5
Timeline Ch 4—Digital Era Pt II (1960s) with Michael Spalter
September 21, 2023
4
Timeline Ch 4—Digital Era Pt I (1960s) with Dr A Michael Noll
September 7, 2023
3
Timeline Ch 3—Analog Era (1950s) with Georg Bak
August 10, 2023
2
Timeline Ch 2—Modern Era with Kate Vass
July 20, 2023
In the timeline
1948 · Cybernetics Is Born
1948 · Claude Shannon Develops Information Theory with “A Mathematical Theory of Communication”
1954 · Max Bense Begins Publishing Aesthetica
1958 · “Theorie de l’information et perception esthetique (Information Theory and Esthetic Perception)” by Abraham A. Moles
1959 · Gustav Metzger Begins Creating “Auto-Destructive Art”
1959 · Theo Lutz produces “Stochastic Texts”
1964 · “23-Ecke” by Georg Nees
1965 · The World’s First Computer Art Exhibition: “Georg Nees: Computergrafik”, Studiengalerie der TH Stuttgart
1965 · The Foundational “Aesthetica” Published by Max Bense is Finished
1965 · computer grafik by Georg Nees and Frieder Nake at Galerie Wendelin Niedlich in Stuttgart (Germany)
1966 · “Information Theory and Esthetic Perception” by Abraham Moles
1967 · “Untitled (Micro Innovation)” by Georg Nees
1968 · “Cybernetic Serendipity” Defines a Movement
1968 · Georg Nees Completes His PhD Thesis (In German), “Generative Computergraphik”
1968 · “Bit International” Magazine Begins Publication
1970 · Georg Nees, Computergrafik Computerplastik (Computer Graphics Computer Sculpture) Portfolio
1972 · P-120-A Meta Language II by Manfred Mohr
1974 · Frieder Nake Publishes Ästhetik als Informationsverarbeitung (“Aesthetics as Information Processing”)
1978 · Algorithmic Aesthetics: Computer Models for Criticism and Design in the Arts by George Stiny and James Gips
1986 · Bilder Images Digital, Computer Artists in Germany, Galerie Der Kuenstler, Munich
2014 · Ian Goodfellow Introduces GANs
2016 · “So you want to build a generator” by Kate Compton
2025 · Frieder Nake Wins 2025 ACM SIGGRAPH Distinguished Artist Award for Lifetime Achievement in Digital Art
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