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Curator of Digital Art at the Whitney Museum of American Art and professor emerita at The New School.
Harold Cohen, of course, really conceived AARON as a collaborator, as another self. He encoded his vision of art into this system.
Christiane Paul, Christiane Paul on Curating Cohen’s AARON
Because if you really see it as text-to-image models that generate output on the basics of a simple prompt, the result I would hardly call art in any way. They are insta-kitsch engines when it comes to that.
Christiane Paul, 2000s Tooling Era: Casey Reas, Golan Levin, Christiane Paul