I personally wouldn’t necessarily ascribe additional value to an artwork being on chain unless it is work that specifically engages with relevant ideas like Sarah Friend or Holly Herndon and Mat Dryhurst.
Peter Bauman, Val Ravaglia on Electric Dreams
I was thinking of Sarah Friend's Lifeforms project and things like that, where really the work is a digital being that is live, whereas in my work, or at least in NOX Pavilion currently, it's a concept of a digital life form.
Lawrence Lek, Lawrence Lek on NOX and Worldbuilding