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In Dinkins’s Not The Only One, the model’s input data comes from oral histories spoken by three generations of women from the artist’s own family.
I think her views are so valuable, and we cover how her work, like Not the Only One, comments on the homogenizing nature of big data and corporate AI models and advocates for small community-driven data to ensure nuance and self-definition, particularly for black and brown communities.
Peter Bauman, Stephanie Dinkins on AI, Memory & Survival