A UK-based curator and producer with two decades in museum management.

I was able to purchase things for the Science Museum, which is for the National Collection. So it's digital art in the National Collection, because we had a team of engineers who could run the stuff, and the conservation team was used to supporting digital and electronic media.
Hannah Redler-Hawes, London Digital Art Guide: Writers' Roundtable
I trained in mainstream fine art painting and curating, contemporary art, but I moved into media art, and I met people who were coming from all sorts of different backgrounds. And the organizations that were supporting this field in the early '90s, when I started working in the field, were not necessarily art organizations.
Hannah Redler-Hawes, London Digital Art Guide: Writers' Roundtable