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Programmed
Programmed, exhibition in Le Random's Editorials: 1 editorial, 11 podcast episodes, 22 timeline moments.
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Mentioned in
84
Dmitri Cherniak on Strictly for Art
May 26, 2025
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Podcast mentions
39
Lawrence Lek—World Entry Points with Peter Bauman
January 16, 2026
31
Ian Goodfellow on Inventing GANs with Peter Bauman (Deep Learning Series 02)
November 6, 2025
24
Tom White & Gene Kogan on the Birth of GAN Art (Deep Learning Series 01)
April 14, 2025
19
"Electric Dreams" in Conversation—Rebecca Allen, Analívia Cordeiro & Eduardo Kac
December 23, 2024
14
Timeline Ch 10—On-Chain Era (2020s) with Erick Calderon, Lauren Lee McCarthy, Itzel Yard & Rafael Lozano-Hemmer
September 2, 2024
12
Interview with Frieder Nake
July 16, 2024
11
Timeline Ch 8: Tooling Era (2000s) with Christiane Paul, Casey Reas, Christa Sommerer & Golan Levin
May 15, 2024
8
Timeline Ch 6—Personal Computer Era (1980s) with Mark Wilson, Copper Giloth & Rick Sayre
February 8, 2024
6
Timeline Ch 5—Artist-Programmer Era (1970s) with Joan Truckenbrod, Hans Dehlinger & Anika Meier
January 14, 2024
5
Timeline Ch 4—Digital Era Pt II (1960s) with Michael Spalter
September 21, 2023
4
Timeline Ch 4—Digital Era Pt I (1960s) with Dr A Michael Noll
September 7, 2023
In the timeline
1843 · Ada Lovelace Publishes the First Algorithm Written for a Machine
1960 · John McCarthy Introduces LISP
1961 · “Nove tendencije” the first New Tendencies exhibition opens at the Gallery for Contemporary Art, Zagreb
1962 · A. Michael Noll Creates some of the First Creative Graphics with a Digital Computer; Terms Phrase “Programmer-Artist”
1962 · Umberto Eco Coins “Programmed Art”
1962 · “Pour une peinture expérimentale programmée,” in Groupe de recherche d’art visuel (Paris: Galerie Denise René; GRAV)
1963 · “Simulation of a Two-Gyro Gravity-Gradient Attitude Control System” by Edward E. Zajac
1965 · computer grafik by Georg Nees and Frieder Nake at Galerie Wendelin Niedlich in Stuttgart (Germany)
1968 · “Generative Photography” at Bielefeld Kunsthaus
1969 · “Tendencies 4: Computers and Visual Research” at Museum of Contemporary Art Zagreb
1970 · Software at the Jewish Museum, New York
1983 · “Portrait of the Artist As a Young Computer” by Grace Glueck
1986 · The Computer as an Art Tool at Hurlbutt Gallery at the Greenwich Public Library, Connecticut
1990 · Scream Tracker 2 released by Future Crew
1991 · Cercle Syncopé, Gillian Wise
1991 · Music and Connectionism, edited by Peter M. Todd and D. Gareth Loy
2011 · Written Images by Martin Fuchs and Peter Bichsel
2018 · Chance and Control: Art in the Age of Computers at the V&A
2018 · Programmed: Rules, Codes, and Choreographies in Art, 1965–2018 at The Whitney
2018 · Landscapes and Nude Portraits by Robbie Barrat
2022 · Memories of Qilin by Emily Xie
2024 · Tate’s Electric Dreams
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